Kris wadsworth deport this ep rapidshare

Turning off will mean that your activity is not sent to these services. This site tracks activity, used for customised advertising across several services ActiveCampaign. View Your Wish List Close. Close View Full Product. Item added to your cart. Create Gift Voucher Add to Cart. Gift This Product Share Share. Read More. Please try again. Photo from. You're now in slide show mode. Forgot password? Keep me signed in. Your email? The email you used to create your account.

The last part of your Myspace URL. Ex: myspace. Facebook Twitter Email. Full Name? Most people use their real name. Select Gender? This helps us keep people, musicians and brands searchable on Myspace. Please select Female Male Unspecified. This is your profile URL. From age eleven he was studying blues and rock guitar, painting graffiti, listening to hip hop, jazz, and the dance sounds of Detroit, Chicago and New York.

He luckily found electronic music to be his ultimate creative medium. Anyone could have guessed this kid would have been an artist from an early age. Now at age 24, he has numerous internationally acclaimed recordings to his credit and shows no sign of stopping. Kris is in this for the long haul, as it were, and his nostalgic, yet forward-thinking productions ought to spell that out loud and clear.

His remixes are nothing to sneeze at either, gaining relentless plays from the brightest and best. KW does genre-defying, dense, lush, emotive, sexy music that is instantly recognized. From dub-esque textures and wanderings, to square bass rockers, to large peak-time destroyers; the young blood of Detroit Techno City knows what he is doing. Some call it house; some call it techno. As a DJ, Kris Wadsworth is a vinyl junky. He started playing Detroit warehouse parties at the ripe old age of sixteen alongside techno and house royalty from around the world.

As that era finally died, he moved to playing clubs and after-hours spots even when he was not even old enough to get in; paying his dues in the city that started it all.

No fancy tricks, or cheats; just the essential, time-tested skill and art of mixing records. Let's talk a little bit about music. I first found out about you by checking Burnski's playlist on his Myspace, I think he charted your first Morris release.

How did you get to know the guys Hypercolour, etc over in the UK and how long have you been releasing music? KW: Well, I first started writing and producing when I was fourteen. I did two releases for local Detroit labels, the first when I was about seventeen. It was me, Anonym , who records for Bloop , and another guy.

Then another record that was released just as a white label. Nothing happened then until Morris Audio came along. I put together demos and I was out in LA. It was funny because I sent about fifty demos and Morris was the only one to give me the time of day. Hypercolour heard the first Morris release and things just went on from there. Guys in the UK?

It's just kind of like it is now talking to you, meeting over the Internet. I'm coming over soon so it's going to be nice to finally meet everyone and put some names to faces. I know a few guys in Paris, Germany the UK. You're not going to get deported this time are you? KW: I hope not. I'm supposed to have my visa sorted within the week so I'd better not laughs.

KW: Yeah. I'm coming over the first and second weeks in March. There are a few things up in the air but one thing that's going on for sure will be at East Village London. There'll also probably be some things arranged at the last minute.

KW: I'm doing it myself. I bug the shit out of a lot of people. Jaime Russell from Hypercolour has been helping me a little bit. He's really sorting the stuff in the UK.